Friday, April 27, 2018

The Cider House Rules

I am sure that this movie was presented to me sometime in my youth, if not only for the certainty that when the state of Michigan started airing tourism commercials, I immediately recognized the graceful, sweeping piano and string melody that I associated to the words "Cider House Rules". I don't know why, but that song must have had a strong effect on me.

It's hard to imagine where I would have seen it - because I feel like it was in school - due to the strong sexual nature of literally every sentence presented in this book, and because I vaguely recall a sense of discomfort certain scenes could have given me but it is all presented with such taste and gentle understanding of human nature and the world itself that I suppose it couldn't ever have been obscene (I'm sure Hollywood would have toned it all down, anyway).

There is so much love packed into this book that it's hard not to be affected. Irving writes with such sensitivity of the human experience. Yes, we are flawed and life is riddled with disappointments, but above all, there is the tragedy and tenderness of love. Homer's decisions were often frustrating to me, in likely the same way I would have reacted had I actually known him and been able to interact with him. He is so surrounded by love, but he fails to see it in so many ways. I found myself to personally have Dr. Larch's interest at heart, and though it was so easy to be annoyed by Melony's dogged pursuit of Homer, their inability to tear themselves away from this person (which I'm sure could reflect any man out there) struck as something that was undoubtedly pure and real.

It's also an incredibly literary book - in its self awareness, and its attachment to other greats. I would like to read David Copperfield one day, if nothing more than to hear some of those lovely passages again as if to rake up sort of distant memory.  The short "catch phrases" of Irving's own creation are powerfully effective as well, and I found them so incredibly moving. Let us be happy for the Princes of Maine -- the Kings of New England. They will always have a family.

Wednesday, April 4, 2018

A Home at the End of the World

I imagine Michael Cunningham to have a very beautiful, gentle view of the world, because that's what comes through in his writing. A Home at the End of the World is so hauntingly lonely and fragile, truthfully illustrating what it's like to grow up. Nothing turns out as you expect but you manage and come to terms with it. Who among us has even a notion of what they're doing? There is a bit of Clare, Jonathan, Bobby, and Alice in us all.

It's the beauty of the tiniest moments which hang in your memory that really defines our lives. I think of this often, and I'm so charmed that Cunningham wrote about it:

"I wouldn't say I was happy. I was nothing so simple as happy. I was merely present, perhaps for the first time in my adult life. The moment was unextraordinary. But I had the moment, I had it completely...I would not die unfulfilled because I had been here, right here and nowhere else."

It was a gorgeous scene to end the book, but I was slightly disappointed that the final chapter wasn't written through Rebecca's eyes. I find arguments pro and against this tactic so regardless, I'm completely under Cunningham's spell. I still prefer The Hours, but this one stands on its own is in a different sort of way.